The meaning of literary works arises from the reception and transformation of the works by their receivers. It is through understanding via experience that this work-receiver relationship is realized in literary reception. In literary reception, meaning assumes multiple forms, including the perceptual and experiential form, the universal and general form, and the historical and continuous form. The realistic foundation of meaning is pluralistic; it is the unfolding of structurality and contextuality of the real history in literary reception and transformation. The reality’s deconstruction and construction of the historical structure appear in the form of specific issues and draw the attention of reception, and give rise to the expectation of meaning in this reception. The reception of meaning is based on such an expectation, so the meaning is constrained by the already existing expectation. Meaning has non-linguisticity, which comes from the non-linguisticity of the implications of literary works and that of literary reception, and is revealed in the interaction of the two in the receptive relations. The non-linguistic meaning is universal.

中文翻译：

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文学作品意义的关系属性

文学作品的含义源于其接受者对作品的接受和改造。通过经验的理解，这种工作与接收者的关系在文学接收中得以实现。在文学接受中，意义采取多种形式，包括感知和体验形式，普遍和普遍形式以及历史和连续形式。意义的现实基础是多元的。它是文学接受和转型中真实历史的结构性和背景性的展现。现实对历史结构的解构和建构以特定问题的形式出现，引起了人们对接收的关注，并引起了对接收的意义的期待。接受意义是基于这样的期望，因此含义受到已经存在的期望的限制。意义具有非语言性，它来自于文学作品和文学接受的含义的非语言性，并在接受关系中的二者相互作用中揭示出来。非语言意义是普遍的。