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The epistemic role of intermedial visual artworks: An analysis of the photobooks Palast der Republik and Domesticidades
Sign Systems Studies Pub Date : 2018-05-07 , DOI: 10.12697/sss.2018.46.1.03
Letícia Vitral , João Queiroz

This paper presents, describes and analyses two photobooks: Palast der Republik and Domesticidades . We claim that, because of their highly iconic features, they can be regarded as epistemic artefacts (models) since they reveal information about their objects, as well as about their own morphological properties. The analysis focuses on (i) the kind of relations the photobooks establish with their respective objects (we claim that it is a mainly-iconic relation) and (ii) on the semiotic couplings that can be found in them – a type of interaction between semiotic resources (such as photographs, maps, written texts, illustrations, among others). We contextualize this analysis in relation to both a semiotic and an intermedial background. Further, we claim that the epistemic role of such artworks is directly related to their material and structural features that constrain the possibilities of manipulation and reasoning upon them. We conclude by presenting some of the information that was revealed by the manipulation of these photobooks, claiming that the semioticartefactual approach to models can be an epistemically interesting conceptual frame to thinking about artistic artefacts.

中文翻译:

intermedial视觉艺术作品的认知作用:写真集的分析宫的REPUBLIKDomesticidades

本文介绍,描述和分析了两本摄影集:《共和报》和《家蝇》。我们声称,由于它们具有很高的标志性特征,可以将它们视为认知伪像(模型),因为它们可以揭示有关其对象以及自身形态特征的信息。分析的重点是(i)相册与它们各自的对象建立的关系(我们声称这是主要的图标关系),以及(ii)可以在其中找到的符号符号耦合–一种相互作用的类型符号资源(例如照片,地图,书面文字,插图等)。我们将这种分析与符号学和中间背景相关联。进一步,我们声称,这类艺术品的认知作用与它们的材料和结构特征直接相关,从而限制了对其进行操纵和推理的可能性。最后,我们介绍了通过操作这些相簿而揭示的一些信息,并声称模型的符号人为方法可能是思考艺术制品的认识论上有趣的概念框架。
更新日期:2018-05-07
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