This article discusses the role of drawings in interdisciplinary visual research, especially the contribution of line drawings to investigative fieldwork. Citing precedents in Tokyo, the incorporation of sociological and ethnographic methods for architectural research is not new in Japan. RE/MAP 2.0, an exploratory workshop that brought participants from architecture and sociology together, uncovered the hidden realities of sub-metropolitan neighbourhoods in Central Tokyo affected by widespread urban restructuring in the lead up to Tokyo 2020. ‘Careful listening’ complemented the use of visual materials – in particular, researcher-based drawings – for fieldwork documentation. Line drawings produced by the workshop participants, though varied in style and form, contain a critical dimension. They graphically convey, through three case studies, the manipulated legibility of Roppongi, asynchronous spatial inhabitations and movements of street culture groups around Miyashita Park, and the intangible social networks fostered by intermediate wholesalers in Tsukiji for economic survival. Locating this collaboration in the discourse of visual studies practice reinforces the importance of not only interdisciplinary exchanges but also for doing research inclusively.

本文讨论了绘图在跨学科视觉研究中的作用，尤其是线条图对实地调查的贡献。引用东京的先例，将社会学和民族志方法纳入建筑研究在日本并不新鲜。RE/MAP 2.0 是一个探索性研讨会，将建筑学和社会学的参与者聚集在一起，揭示了东京市中心次大都市社区在 2020 年东京奥运会之前受到广泛城市重组影响的隐藏现实。“仔细聆听”补充了使用视觉材料——特别是基于研究人员的绘图——用于实地考察记录。研讨会参与者制作的线条图虽然风格和形式各不相同，但包含一个关键维度。他们通过三个案例研究以图形方式传达，六本木被操纵的可读性，宫下公园周围街头文化群体的异步空间居住和运动，以及筑地中间批发商为经济生存而培育的无形社会网络。将这种合作置于视觉研究实践的话语中，不仅加强了跨学科交流的重要性，而且加强了包容性研究的重要性。