The feature films by Flora Gomes: Mortu nega (1988), Udju azul di Yonta (1992), Po di sangui (1996), Nha fala (2002) and Republica di mininus (2012) narrate stories that speak of transits, music, woman, children, war, (neo)colonialism, cosmogony, life, death, love, birth, migration, of tradition, modernity, collectivity; using as scenario, the countryside, outdoors, with ironic, critical and metaphorical speeches. In this sense, the present abstract "I make films to be seen": an analysis of the film narrative of Flora Gomes" proposes emphasizing the elements of narrative cinematography of the fiction films of Flora Gomes present in the discourse, in themes, in the soundtrack, in orality, in time, in duration, in space, in camera movements, in the preparation of actors, in the work of illumination of the black body, in the scenery, not the visual metaphors of this director.

中文翻译：

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“我拍电影供大家观赏”：Flora Gomes的叙事

弗洛拉·戈麦斯（Flora Gomes）拍摄的长片：莫尔图·涅加（Mortu nega（1988），乌达·阿祖尔·迪·永塔（Udju azul di Yonta）（1992），波迪·圣吉（Po di sangui）（1996），芽庄（Nha fala）（2002）和共和党·迪米纳努斯（Republica di mininus）（2012）讲述了讲述过境，音乐，女性的故事，儿童，战争，（新）殖民主义，世界主义，生活，死亡，爱，出生，迁徙，传统，现代性，集体性；以农村为例，在户外以讽刺，批判和隐喻的演讲。从这个意义上讲，当前的摘要“我让电影成为人们的看点：对弗洛拉·戈麦斯的电影叙事的分析”建议强调话语中主题，主题和场景中弗洛拉·戈麦斯的小说电影的叙事电影摄影的元素。配乐，口头，时间，持续时间，空间，摄像机动作，演员准备，黑体照明工作，风景，