The present essay considers the Jesuits’ relationship to musical culture along the confessional frontier of Germany, where the immediate presence of religious difference led to an explicit marking of space and boundaries, not least through visual and aural media. While Jesuit reservations concerning the appropriate use of music were always present, individual churches and colleges soon developed ambitious musical practices aimed at embellishing the Catholic liturgy and stimulating religious affect. The present essay traces a gradual shift in Jesuit attitudes toward music between roughly 1580 and 1650, showing steady growth in the Society’s use of musical resources in churches, colleges, hymnbooks, processions, and theatrical productions in the confessionally-contested German orbit.

中文翻译：

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德国反宗教改革中的音乐与耶稣会“前进之路”

本文考虑了耶稣会士与德国忏悔边境的音乐文化的关系，在那里宗教差异的直接存在导致了空间和边界的明确标记，尤其是通过视觉和听觉媒体。虽然耶稣会关于适当使用音乐的保留总是存在，但个别教会和大学很快就制定了雄心勃勃的音乐实践，旨在美化天主教礼仪和激发宗教影响。本文追溯耶稣会士对音乐的态度在大约 1580 年至 1650 年之间的逐渐转变，表明该协会在教堂、大学、赞美诗、游行和在忏悔竞争中的德国轨道上的戏剧作品中使用音乐资源的稳步增长。