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Camouflaged Culture: The ‘Discursive Journey’ of the EU’s Cultural Programmes
Croatian International Relations Review Pub Date : 2018-06-01 , DOI: 10.2478/cirr-2018-0008
Bjarki Valtysson

Abstract This article inspects discursive shifts in the EU’s cultural policy and how these relate to the four ‘generations’ of EU cultural programmes: Raphaël, Ariane, Kaleidoscope; Culture 2000; Culture 2007; and the current Creative Europe programme. This paper therefore accounts for a ‘discursive journey’ that started in the 1970s and culminated with Article 128 in the Maastricht Treaty, which formally constituted the EU’s cultural policy. The article reveals that there can be detected certain shifts in discourses concerning the EU’s cultural programmes, but these shifts are aligned to older discourses within the cultural sector which, prior to the Maastricht Treaty, applied implicit cultural interventions. These therefore represented ‘camouflaged’ cultural understanding and appliances, which were instrumental and promoted economically and politically induced discourses. The major shift detected in the recent Creative Europe programme is a step away from discourses that facilitate the political construction of a ‘people’s Europe’, thereby utilising further discourses that promote aims which adhere to the Union’s Europe 2020 Strategy for smart, sustainable and inclusive growth.

中文翻译:

伪装文化:欧盟文化计划的“递归之旅”

摘要本文考察了欧盟文化政策中的话语变化,以及它们与欧盟文化计划的四个“世代”之间的关系:拉斐尔,阿里安,万花筒;文化2000;文化2007;以及当前的Creative Europe计划。因此,本文阐述了从1970年代开始并以《马斯特里赫特条约》第128条作为高潮的“漫谈之旅”,该条正式构成了欧盟的文化政策。该文章表明,可以发现有关欧盟文化计划的话语发生某些变化,但这些变化与文化领域内的旧话语一致,后者在《马斯特里赫特条约》之前采用了隐性的文化干预措施。因此,这些代表了“伪装”的文化理解和工具,这是有帮助的,并在经济和政治上引起了话语的发展。在最近的“创意欧洲”计划中发现的主要转变是,远离有助于“人民欧洲”政治建设的言论,从而利用了进一步的言论,这些言论促进了符合欧盟《 2020年欧洲战略》的目标,以实现明智,可持续和包容性增长。
更新日期:2018-06-01
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