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The Disoeuvre: an Argument in 4 Voices (WASL Table); version 4:27
Visual Resources Pub Date : 2018-10-02 , DOI: 10.1080/01973762.2018.1524218
Felicity Allen

The Disoeuvre: an Argument in 4 Voices (WASL Table); version 4:27 contributes to Felicity Allen’s long-term project, The Disoeuvre. Allen first invented, named and explored the concept of The Disoeuvre in her PhD, “Creating the Disoeuvre: Interpreting Feminist Interventions as an Expanded Artistic Practice in Negotiation with Art’s Institutions”. The four voices of The Disoeuvre: an Argument in 4 Voices (WASL Table); version 4:27 work across and down each page in four strands: (1) photograph, (2) diaristic/album note, (3) didactic argument shifting through multiple pronoun positions from pronounced objectivity to pronounced subjectivity, and (4) quotations from texts read by the artist who has given herself permission to make no more than 27 variations of this work. In 1978, Allen was a founder member of the Women Artists Slide Library (WASL) in London, and decades later her Middlesex University supervisors suggested that her WASL work might be presented in her PhD (completed in 2016). However, she and the other early founders of the library had preserved hardly any documentation of their activism. The table on which she continues to work, originally passed on to her for WASL in 1978 but too big for WASL’s first public office in 1982, is perhaps an equivalent to documentation; staying with her throughout her career, the table also suggests undercurrents in her own Disoeuvre.

中文翻译:

Disoeuvre:4 种声音的论证(WASL 表);版本 4:27

Disoeuvre:4 种声音的论证(WASL 表);版本 4:27 为 Felicity Allen 的长期项目 The Disoeuvre 做出了贡献。艾伦在她的博士论文“创造故事:将女权主义干预解释为与艺术机构谈判的一种扩展艺术实践”中首次发明、命名和探索了 The Disoeuvre 的概念。The Disoeuvre 的四种声音:4 种声音中的论证(WASL 表);版本 4:27 分四部分在每一页上下工作:(1) 照片,(2) 日记/专辑笔记,(3) 通过多个代词位置从明显的客观性转变为明显的主观性,以及 (4) 引用自由艺术家阅读的文本,她允许自己对这件作品进行不超过 27 次的修改。1978 年,艾伦是伦敦女性艺术家幻灯片图书馆 (WASL) 的创始成员,几十年后,她的米德尔塞克斯大学导师建议她的 WASL 作品可能会在她的博士(2016 年完成)中展示。然而,她和图书馆的其他早期创始人几乎没有保存任何关于他们激进主义的文件。她继续工作的桌子,最初是在 1978 年转交给她的,但对于 1982 年 WASL 的第一个公职来说太大了,也许相当于文件;在她的整个职业生涯中一直陪伴着她,这张桌子也暗示了她自己的作品中的暗流。她和图书馆的其他早期创始人几乎没有保存任何关于他们激进主义的文件。她继续工作的桌子,最初是在 1978 年转交给她的,但对于 1982 年 WASL 的第一个公职来说太大了,也许相当于文件;在她的整个职业生涯中一直陪伴着她,这张桌子也暗示了她自己的作品中的暗流。她和图书馆的其他早期创始人几乎没有保存任何关于他们激进主义的文件。她继续工作的桌子,最初是在 1978 年转交给她的,但对于 1982 年 WASL 的第一个公职来说太大了,也许相当于文件;在她的整个职业生涯中一直陪伴着她,这张桌子也暗示了她自己的作品中的暗流。
更新日期:2018-10-02
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