The international conference Plotting Poetry: On Mechanically Enhanced Reading was organised by Anne-Sophie Bories, Hugues Marchal (both University of Basel), and Gérald Purnelle (Liège University) held in Basel, Switzerland from 5 to 7 October 2017. This conference comprised 26 presentations in English and French, delivered by scholars from eleven different countries and devoted to a wide range of projects in which poetry, poetics, and poeticity meet with computers and quantitative models. The conference was opened by keynote speaker Franco Moretti (Stanford Literary Lab). His topic, “Totentanz. Operationalizing Aby Warburg’s Pathosformeln”, focused on visual arts, and the speaker presented their achievements in a collaborative research with Leo Impett (EPFL) aiming to build a well-defined model of the German art historian Aby Warburg’s key concept “pathos formula”. The authors proposed to model the body expression of pathos by measuring the sizes of 11 angles formed by the spine and the thighs, shins, shoulders, arms, forearms, and head of the central figures found in the Warburg’s “picture atlas” Mnemosyne – a series of thematically organised panels with nearly 1,000 photographs of paintings, sculptures, book pages, stamps, tarot cards and other types of images. Processing these multidimensional data by means of principal component analysis and cluster analysis has shown that they are able to identify not only the prototypical expression found in some motifs (“nymphs” × “non-nymphs”) but also the pathos expression of human body in general. The second keynote of the conference, Valérie Beaudouin (Télécom ParisTech) presented the methods and results of metrical analysis of hexameter in classical French drama and 19th century French poetry. The corpus analysed consists of ca. 120,000 verses. The three possible strategies of the overviewed computer-assisted analysis are parsing the graphic chain, using machine learning techniques, or the syntactic analysis of the verses and their phonetic transcription. The software Metrometre developed by the speaker could identify metrical syllables, metrical vowels, ends of words, parts of speech and stresses, allowing the representation of the alexandrine patterns: the frequency and occurrences of the schwa, the distribution of ends of words or stresses along the verse-lines. The chronological representation of the data Studia Metrica et Poetica 4.2, 2017, 126–137

中文翻译：

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情节诗歌：机械强化阅读，2017年10月5日至7日，瑞士巴塞尔

2017年10月5日至7日在瑞士巴塞尔举行的国际作图诗歌：机械增强阅读国际会议由Anne-Sophie Bories，Hugues Marchal（均为巴塞尔大学）和GéraldPurnelle（列日大学）举办。该会议包括26次会议。来自11个不同国家的学者用英语和法语作了演讲，并致力于广泛的项目，其中诗歌，诗学和诗学与计算机和定量模型相遇。大会由主旨发言人弗朗科·莫雷蒂（Franco Moretti）（斯坦福文学实验室）开幕。他的主题是“ Totentanz。致力于视觉艺术的Aby Warburg的Pathosformeln的运营，演讲者介绍了他们与Leo Impett（EPFL）合作开展的研究成果，旨在为德国艺术史学家Aby Warburg建立关键概念“悲痛公式”的模型。作者建议通过测量由脊柱和大腿形成的11个角度，胫骨，肩膀，肩膀，手臂，前臂和Warburg的“图片集” Mnemosyne中的中心人物头部所形成的11个角度的大小来模拟病态的身体表达。一系列专题组织的面板，其中包含近1,000张绘画，雕塑，书页，邮票，塔罗牌和其他类型图像的照片。通过主成分分析和聚类分析对这些多维数据进行处理表明，它们不仅能够识别在某些图案（“若虫”ד非若虫”）中发现的原型表达，而且能够识别出人体中的病态表达。一般。会议的第二个主题演讲人，瓦莱丽·博杜安（ValérieBeaudouin）（巴黎电信公司）介绍了古典法国戏剧和19世纪法国诗歌中六边形的度量分析方法和结果。分析的语料库由ca组成。120,000节 概述的计算机辅助分析的三种可能策略是使用机器学习技术解析图形链，或对经文及其注音进行句法分析。演讲者开发的Metrometre软件可以识别音节，元音，单词的结尾，词性和重音，可以表示出亚历山大经的模式：schwa的频率和出现，单词的结尾或重音沿经线的分布。数据的时间顺序表示Studia Metrica et Poetica 4.2，2017，126–137