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Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016)
Journal of Aesthetics & Culture Pub Date : 2018-04-02 , DOI: 10.1080/20004214.2018.1438731
Anne Gjelsvik 1
Affiliation  

ABSTRACT This article discusses the Norwegian film The Pyromaniac (Erik Skjoldbjærg 2016) as an artistic attempt to come to terms with terrorism, and as a cinematic treatment of the Norwegian terror attacks of 22nd of July 2011. The film is discussed in relation with several written accounts on 22nd of July and focus is on the role of the individual, the family and the society when it comes to guilt and shame following incomprehensible events.

中文翻译:

ErikSkjoldbjærg的《 Pyromaniac》(2016)中的局外人和旁观者

摘要本文讨论了挪威电影《 Pyromaniac》(ErikSkjoldbjærg,2016年),这是一种试图化解恐怖主义的艺术尝试,并且是对2011年7月22日挪威恐怖袭击的电影性处理。这本书是在7月22日发布的,关注的焦点是个人,家庭和社会在发生不可理解的事件后感到内和羞愧时所扮演的角色。
更新日期:2018-04-02
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