In 1932, three Japanese soldiers died in the line of duty during the Shanghai Incident. Battlefield gossip blamed their deaths on incompetence. Sensational newspaper reports lauded them as suicide bombers who crippled the defences of an enemy stronghold with only a Bangalore torpedo and ‘pieces of torn flesh.’ Hero worship and commercialization followed shortly thereafter. Their alleged exploits inspired books, movies, theatrical performances, political speeches, radio dramas, and popular music. This article is about the Nikudan-san’yūshi (Three Heroic Human Bullets) phenomenon, a cultural sensation that penetrated into nearly every corner of Japanese society and which groomed the nation for military extremism.

1932年，三名日本士兵在上海事变期间因公line职。战地八卦将其死亡归咎于无能。耸人听闻的报纸报道称赞他们是自杀炸弹袭击者，他们仅用班加罗尔鱼雷和“几块破烂的肉”破坏了敌人要塞的防御设施。此后不久便进行了英雄崇拜和商业化。他们所谓的漏洞利用启发了书籍，电影，戏剧表演，政治演讲，广播剧和流行音乐。这篇文章是关于尼古丹·三尤士现象的，这是一种文化上的情感，渗透到了日本社会的几乎每个角落，并为日本的军事极端主义锦上添花。