ABSTRACT This article argues that making dance performance is a resourceful means of self-production that is an aspect of resilience, through interrelationship, and that making dance is an act of resilience in the context of the social, cultural, and historical struggle that continues in the lives of people with learning disabilities. The argument is made by developing dance scholar Randy Martin’s theory of mobilisation in relation to Catherine Panter-Brick’s theorisation of resilience as a recruitment of resources. A short description of rehearsal work by Speckled Egg Dance Company provides evidence of how practice might be understood through the argument.

中文翻译：

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学习残疾舞蹈：斑点蛋舞蹈团的韧性示例

摘要 本文认为，舞蹈表演是一种足智多谋的自我生产方式，是韧性的一个方面，通过相互关系，在社会、文化和历史斗争的背景下，舞蹈表演是一种韧性行为，社会、文化和历史斗争仍在继续。学习障碍者的生活。这一论点是通过发展舞蹈学者兰迪·马丁的动员理论与凯瑟琳·潘特-布里克的弹性理论作为资源招募相关的理论提出的。斑点蛋舞蹈团对排练工作的简短描述提供了如何通过论证来理解练习的证据。