ABSTRACT This article problematises the concept of ‘resilience’, and the globalised power dynamics which lie behind a narrative of overcoming adversity in the context of Palestinian Theatre. By exploring the work of ASHTAR, specifically focusing on the artist Iman Aoun, this paper examines the lack of political and practical solidarity revealed in languages and agendas of resilience. This analysis of practice is set within a theoretical framework of border navigation, space and place, and of modes of resistance where the Palestinian concept of sumud is foregrounded as an indigenous lens to view the infrapolitical resistance of the West Bank arts community.

中文翻译：

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“有创造力就是存在”：拒绝韧性，在ASHTAR剧院的文化抵抗中制定Sumud

摘要 本文对“复原力”的概念以及巴勒斯坦剧院背景下克服逆境的叙述背后的全球化权力动态提出了问题。通过探索 ASHTAR 的工作，特别关注艺术家 Iman Aoun，本文考察了语言和弹性议程中所揭示的政治和实践团结的缺乏。这种对实践的分析是在边界导航、空间和地方以及抵抗模式的理论框架内进行的，其中巴勒斯坦的苏穆德概念被作为土著镜头来看待西岸艺术界的次政治抵抗。