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NOISY FIELD EXPOSURES, or what comes before attunement
cultural geographies ( IF 1.786 ) Pub Date : 2020-04-18 , DOI: 10.1177/1474474020909494
Vickie Zhang 1
Affiliation  

Before attunement comes exposure, the necessary fact of being a body. This photo essay is a play on two meanings of the word exposure: corporeal exposure and photographic exposure. I offer the latter in order to stay with moments of the former, exposing multiple scenes of misattunement from fieldwork in a small country town in regional Australia. Picking up the classic distinction in information theory between signal and noise, this piece pauses at the moment of indeterminacy before an event might be affirmed as valuable signal or discarded as unwanted static, weaving stories and images from the field with excerpts from Michel Serres’ The Parasite, Roland Barthes’ Camera Lucida and Paul Harrison’s essay on Corporeal Remains. Ultimately, this essay’s suggestion is that ‘attunement’ is not primarily about attunement. Instead, as a methodological principle, I offer that attunement initially – and sufficiently – gestures towards an attempt, a vulnerability and a commitment to the event of exposure.

中文翻译:

嘈杂的现场曝光,或调音之前发生的事情

在调解开始曝光之前,成为身体的必要事实。这张照片是关于曝光这个词的两个含义的戏剧:有形曝光和照片曝光。我提供后者,是为了与前者保持一致,在澳大利亚地区的一个小镇上,揭露了田野调查产生的误解的多个场景。拿到信息论中信号与噪声之间的经典区别,在不确定性发生时片刻停顿,然后事件可能被确认为有价值的信号或被丢弃为不需要的静态信号,并摘录了米歇尔·塞雷斯(Michel Serres)的故事和图像。寄生虫,罗兰·巴特(Roland Barthes)的相机露西达(Paul Lucida)和保罗·哈里森(Paul Harrison)关于尸体遗迹的文章。最终,本文的建议是“调和”主要不是关于调和。代替,
更新日期:2020-04-18
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