he first issue of Library Quarterly was published in 1930, a couple of years after the commercial sensation The Jazz Singer ushered in the era of movies with sound and just T 1 year after the release of Broadway Melody, the first movie musical. Talkies, as they were initially known, brought dialogue, music, and singing into film, greatly expanding the palate and expressiveness of film. Inspired by the proximity of these two debuts, in our final two editorials of this anniversary year, we will explore the sometimes parallels—and sometimes lack thereof—between the films that feature libraries or librarians and the themes that dominated the contemporaneous pages of Library Quarterly. Reflecting the numerous roles of and widespread familiarity with libraries in society, libraries and librarians not surprisingly feature in a great many films and television programs. The prevalence of librarian characters in films is reflected in how many of these parts were available for leading actors; Bette Davis, Gloria Grahame, Goldie Hawn, Greer Garson, Katharine Hepburn, Shirley Jones, Donna Reed, and Rachel Weisz are all Oscar winners who played librarians in the films discussed herein. Although often a character’s designation as “librarian” seems to have little impact on a film’s plot, such as Greer Garson’s character in 1945’s adventure yarn appropriately titled Adventure or Goldie Hawn’s character in 1978’s comedy/murder mystery Foul Play or Renee Russo’s character in 1989’s Major League, in a wide variety of films, libraries and librarianship are actually central to the plot and the message of the film. One entire book has been devoted to the topic of portrayals of librarians in the cinema of the twentieth century (Tevis and Tevis 2005). The authors, Ray Tevis and Brenda Tevis, focus primarily on the ways in which the librarians are presented in film, such as age, attire, and

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屏幕上的图书馆和馆员，以及按季度进行的图书馆季刊第10部分，第1部分，或者从前。。。在好莱坞和LQ

他的第一本《图书馆季刊》于1930年出版，在商业轰动的几年后，爵士歌手开创了有声电影的时代，而距首部电影音乐剧《百老汇旋律》发行仅一年后。最初称为对讲机的是，将对话，音乐和唱歌带入了电影，极大地扩展了电影的口感和表现力。受这两次亮相的启发，在本周年纪念年的最后两篇社论中，我们将探讨以图书馆或图书馆员为主题的电影与主导《图书馆季刊》同期版面的主题之间的有时相似之处，有时甚至缺乏相似之处。 。反映了社会图书馆的众多作用和广泛的熟悉，图书馆和图书馆员在许多电影和电视节目中的出现都不足为奇。电影中图书馆员角色的普遍性反映在其中有多少部分可以供主角使用。贝特·戴维斯（Bette Davis），格洛丽亚·格雷厄姆（Gloria Grahame），戈迪·霍恩（Goldie Hawn），格里尔·加森（Greer Garson），凯瑟琳·赫本（Katharine Hepburn），雪莉·琼斯（Shirley Jones），唐娜·里德（Donna Reed）和瑞秋·威兹（Rachel Weisz）都是奥斯卡奖得主，他们在这里讨论的电影中饰演图书管理员。尽管通常将角色指定为“图书管理员”似乎对电影情节影响不大，例如格里尔·加森（Greer Garson）在1945年的冒险纱中的角色恰当地命名为1978年的喜剧/谋杀之谜“犯规”中的冒险或高迪·哈恩（Goldie Hawn）的角色，或在1989年的大满贯中的蕾妮·鲁索（Renee Russo）的角色联盟在各种各样的电影中，图书馆和图书馆管理人员实际上是电影情节和信息的核心。一整本书专门论述了二十世纪电影中图书馆员的刻画（Tevis and Tevis 2005）。作者雷·特维斯（Ray Tevis）和布伦达·特维斯（Brenda Tevis）主要关注电影中图书管理员的呈现方式，例如年龄，着装和穿着。