Abstract:Kōda Rohan (1867–1947) is considered an "antimodern" novelist who spurned experiments in the 1880s to forge a literature of realism in a vernacular register (genbun itchi). I argue, to the contrary, that Rohan sought a modern prose that could effect realism in a nonvernacular register, gazoku setchūtai. In his novel Fūryūbutsu (The bodhisattva of elegance, 1889), Rohan requests the aid of a "genbun itchi practitioner" to frame his gazoku realism as working across the unstable literary categories of interiority and exteriority whose emergence had been facilitated by vernacular prose in portions of Futabatei Shimei's (1864–1909) novel Ukigumo (Drifting clouds, 1887–89).

中文翻译：

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Kōda Rohan 的 Fūryūbutsu：符号多价和“Salvific”散文

摘要：幸田罗汉 (1867–1947) 被认为是“反现代”小说家，他在 1880 年代摒弃了实验，以白话语域 (genbun itchi) 打造现实主义文学。相反，我认为罗汉寻求一种现代散文，可以在非白话语域中影响现实主义，gazoku setchūtai。在他的小说 Fūryūbutsu（优雅的菩萨，1889 年）中，Rohan 请求一位“genbun itchi 练习者”的帮助来构建他的 gazoku 现实主义作为跨越不稳定的内在和外在文学类别的工作，这些类别的出现是由白话散文部分促进的Futabatei Shimei（1864-1909）的小说浮云（飘云，1887-89）。