from this representation and returning them to their roots in creative human engagement with nature for multisensorial pleasure in service of a healthier life and a healthier society. Yet, I wonder if the author, and his readers, especially those new to the fi eld, might have been better served by two books. In a true survey history, Kuitert, the enormously well-read garden historian, might have presented his profound knowledge of the social history of modern Japanese gardens without having to elevate naturalistic gardens that evoke the rural countryside by denigrating the manicured and abstract ones. In a separate book, a shorter manifesto, Kuitert, the concerned landscape architect, might have argued how the long evolution of natural and naturalistic Japanese garden styles present compelling examples of built environments carefully calibrated to satisfying the demands of place making and patron pleasing.

中文翻译：

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Chari Pradel 制作天宿国修长曼陀罗和圣德太子的来世

从这种表现形式中，让它们回归到人类与自然的创造性互动的根源，以获得多感官愉悦，为更健康的生活和更健康的社会服务。然而，我想知道作者和他的读者，尤其是那些刚接触这个领域的人，是否可以通过两本书来更好地服务。在真实的调查历史中，库伊特是一位博览群书的园林历史学家，他本可以展示他对现代日本园林社会历史的深刻了解，而不必通过贬低修剪整齐和抽象的花园来提升唤起乡村乡村氛围的自然主义花园。在另一本书中，一个较短的宣言，Kuitert，相关的景观设计师，