This paper analyzes the contributions of Theodore Gericault to the second volume of Baron Isidore Taylor, Charles Nodier, and Alphonse de Cailleux’s Voyages pittoresques: Normandie (1820; 1825) within the context of French Restoration historiography. It argues that Gericault’s prints are allegorical commentaries on the production of visual history during this period as much as they are examples of it.

中文翻译：

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媒介就是消息

本文分析了西奥多·杰里科（Theodore Gericault）在法国恢复史学背景下对伊斯多尔·泰勒男爵，查尔斯·诺迪耶和阿尔方斯·德·卡约克斯的航程凹痕的第二卷的贡献：诺曼底（1820; 1825）。它认为，杰里科的印刷品是这段时期对视觉历史产生的寓言评论，尽管它们只是其中的一个例子。