ABSTRACT During the First World War, many belligerent nations commissioned official art to celebrate and preserve their experience of the conflict. This article explores the creation of the Australian, Canadian and New Zealand official war paintings; in particular, by tracing the emergence, development and fate of each collection, the article examines the process of memory-making and the politics at play in the commemoration of the war in art. It argues that while the collections were born from similar ideas circulating among dominion officials in London, these manifested themselves in markedly different ways under each war art program.

中文翻译：

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Dominion Imaginings：在澳大利亚、加拿大和新西兰官方绘画中纪念第一次世界大战

摘要在第一次世界大战期间，许多交战国委托官方艺术来庆祝和保存他们的冲突经验。本文探讨了澳大利亚、加拿大和新西兰官方战争画的创作；特别是，通过追踪每个收藏品的出现、发展和命运，文章审视了记忆的过程和在纪念艺术战争中发挥作用的政治。它认为，虽然这些藏品源于伦敦自治领官员之间流传的类似想法，但在每个战争艺术计划下，这些想法都以明显不同的方式表现出来。