This article explores how Ricardo Flores Magón used images to transpose the graphic tradition of nineteenth‐century Mexican political journalism into prose by deploying montage to craft both allegorical and prismatic images: while certain images are divorced from their original context and take on a new life, others, analogically related to a single idea, appear prismatically in fragments on the page. The affinities Flores Magón's writing shared with modernismo and the historical avant garde – as intensification of the former and precursor of the latter – have been a blind spot for literary history, to which this article attempts to restore the importance of his writing.

中文翻译：

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Borded be Discord，1910年：Ricardo FloresMagón的宣言模式

本文探讨了里卡多·弗洛雷斯·马贡（Ricardo FloresMagón）如何通过部署蒙太奇以制作寓言图像和棱柱形图像的方法，将图像将19世纪墨西哥政治新闻的图形传统转化为散文：其他与单个想法类似的事物则在页面的碎片中呈棱柱形显示。弗洛雷斯·马贡（FloresMagón）的作品与现代主义和历史前卫（即前者和后者的前身的激化）具有相似性，一直是文学史的盲点，本文试图以此来恢复其写作的重要性。