This article proposes a new conceptual framework for understanding poetry in the age of the internet. By combining literary and technologic theories into one theory named ‘Internetica’, it typifies the structures and roles of internet poetry and poets. A grounded analysis of 200 poems revealed three types of web poems: poems about the internet, poems first published on the internet, and poems written through the internet. The analysis presents various distinctions among these three types of poems, including their subjects, length, and originality. An integrative analysis of these categories allows for a redefinition of the role of poets in the digital age as playing witnesses: ever-present internet users, who, thanks to their creativity, witness the medium while playing with it by using the tools that it offers them.

本文提出了一个新的概念框架，用于理解互联网时代的诗歌。通过将文学和技术理论组合成一个名为“ Internetica”的理论，它代表了网络诗歌和诗人的结构和作用。对200首诗的扎根分析揭示了三种网络诗：关于互联网的诗，首次在互联网上发表的诗和通过互联网写的诗。分析提出了这三种类型的诗歌之间的各种区别，包括主题，篇幅和原创性。通过对这些类别的综合分析，可以重新定义数字时代诗人扮演见证人的角色：永远存在的互联网用户，由于他们的创造力，可以通过使用媒体提供的工具见证媒体的使用。