Recent years have seen an increased interest in black feminism. Whether thinking of the explosion of activism, the reprinting of classics such as Heart of the Race (Bryan, Dadzie and Scafe, 2018 [1985]) and Finding a Voice (Wilson, 1978) or the numerous journalistic or scholarly inquiries into black feminist formations in Britain in the 1970s–1990s, black feminism is a topic of interest once again. Sometimes it goes under other names: POC feminism, Womanism, Fugitive Feminism—each of which offers a specific inflection of this thing I am calling black feminism. Given this context, my aim in this article is to consider how black feminism might be conceived—what kind of an object it is, but more importantly how it might be ‘used’ and utilised as a vibrant and well-honed tool in the armory with which we attempt to craft a politics of ethical freedom. I attempt to draw together work from the theoretical archive of black women’s writing with that of psychoanalyst Donald Winnicott and his theorisation of ‘object use’ and ‘play’, as foundation stones in the development of a capacity for ethical relating based on the detoxification of racism’s effects on ‘self’, ‘other’ and the intersubjective field that the space between these constitutes. In my mind, the piece is a ‘call’ hoping for a ‘response’, the chorus is ‘black feminism’.

中文翻译：

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再次与我的姐妹在一起：黑人女权主义和对象使用的挑战

近年来，人们对黑人女权主义的兴趣日益浓厚。无论是考虑激进主义的爆发、重印《种族之心》（Bryan、Dadzie 和 Scafe，2018 [1985]）和寻找声音（Wilson，1978）等经典著作，还是对黑人女权主义形成的众多新闻或学术调查在 1970 年代至 1990 年代的英国，黑人女权主义再次成为人们关注的话题。有时它有其他名称：POC 女权主义、女权主义、逃亡女权主义——每一个都提供了我称之为黑人女权主义的特定变化。鉴于这种背景，我在这篇文章中的目的是考虑如何构思黑人女权主义——它是一个什么样的对象，但更重要的是它如何被“使用”和用作军械库中充满活力和磨练的工具我们试图用它来制定道德自由的政治。我试图将黑人女性写作的理论档案与精神分析家唐纳德温尼科特的理论档案以及他的“对象使用”和“游戏”理论结合起来，作为发展基于排毒的道德关联能力的基石。种族主义对“自我”、“他人”以及它们之间的空间构成的主体间领域的影响。在我看来，这首曲子是希望得到“回应”的“呼唤”，副歌是“黑人女权主义”。“他者”以及它们之间的空间构成的主体间领域。在我看来，这首曲子是希望得到“回应”的“呼唤”，副歌是“黑人女权主义”。“他者”以及它们之间的空间构成的主体间领域。在我看来，这首曲子是希望得到“回应”的“呼唤”，副歌是“黑人女权主义”。