In this engagement with Eric Magrane’s article, ‘Climate Geopolitics (The Earth is a Composted Poem)’, I follow two provocations: first, geopoetics as travelling through disciplinary turfs, and second, geopoetics as storytelling. Coming from a disciplinary trajectory that spent a long stop at international relations (IR), these provocations attach me to geopoetics as practice and a growing field. My engagement here is oriented to geopoetics not only at the threshold of geography and the arts and humanities, but also the intersections of geography and politics. I primarily propose that viewing geopoetics as an open space for experimenting allows for disrupting masterful understandings of the academic self and counters a univocal, universal narrative of the world.

在与埃里克·马格朗（Eric Magrane）的文章“气候地缘政治（地球是一堆堆肥的诗）”的互动中，我遵循两个挑衅：第一，地理学穿越纪律领域，第二，地理诗学作为故事讲述。来自长期在国际关系（IR）上停留的学科发展轨迹，这些挑衅使我成为实践和不断发展的领域的地理学专家。我在这里的工作不仅针对地理学，而且涉及地理学，艺术和人文学科，还涉及地理学和政治学的交汇处。我主要建议，将地理诗学视为一个开放的实验空间，可以打乱对学术自我的精深理解，并与世界的单一，普遍叙述相抵触。