This article outlines the distinct logics that govern embodied, affective forms of anti-Black racism in order to theorize cultural countermeasures that disrupt them. I argue that attempting to dismantle affective forms of racism by creating “positive” representations of Black people is an ineffective strategy in the long term. This approach tends to amplify investments in racial exceptionalism, fetishism, and restrictive conditions of acceptability, ultimately leaving Eurocentric epistemological and ontological frameworks intact. Instead, I consider cultural methodologies and epistemological frames that allow the complexities of Black ontology to thrive and proliferate. I examine Kendrick Lamar’s album To Pimp a Butterfly for the ways it uses Black epistemological frames and methods that hold the potential to diminish affective forms of racism.

中文翻译：

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“为什么白人妇女过马路？”：针对种族主义的情感形式的文化对策

本文概述了支配反黑人种族主义的具身的、情感的形式的不同逻辑，以便将破坏它们的文化对策理论化。我认为，从长远来看，试图通过创造黑人的“积极”表现来消除种族主义的情感形式是一种无效的策略。这种方法倾向于放大对种族例外论、拜物教和可接受性限制条件的投资，最终使欧洲中心论的认识论和本体论框架完好无损。相反，我认为文化方法论和认识论框架允许黑人本体论的复杂性蓬勃发展和扩散。我检查了 Kendrick Lamar 的专辑 To Pimp a Butterfly，因为它使用了黑人认识论框架和方法的方式，这些框架和方法有可能减少种族主义的情感形式。