Developing a framework of “affective atmospheres of unwelcome” from the work of Locatora Radio and Anderson (2009), Stewart (2008), and Thompson (2017), I examine how affective build-up and circulation suffuse a space in an atmosphere, as the atmosphere is taken up and felt in the bodies of street harassed individuals. I engage women’s narratives, the 2014 film A Girl Walks Home Alone at Night, and practices of resistance and “response-ability” (Rentschler, 2014) in headphone listening practices and an online antiharassment photojournalism series to assert that women’s and gender nonconforming individuals’ experiences of “affective atmospheres of unwelcome” disclose street harassment as a persistent and ordinary patriarchal structure that intrudes on women, gender nonconforming, and queer bodies in public space. This article makes known commonplace acts of resistance that street harassed individuals utilize to move through and transform atmospheres of unwelcome and demonstrates how affects are political and contingent implementations of a place and culture.

根据洛卡托拉广播电台和安德森（2009），斯图尔特（2008）和汤普森（2017）的工作，开发了一个“不受欢迎的情感性气氛”框架，我考察了情感的积累和流通如何充实气氛中的空间，街头骚扰者的尸体中弥漫着这种气氛并感受到了这种气氛。我参与了女性叙事，2014年电影《夜里独自走回家的女孩》，以及在耳机收听练习中的抵抗和“回应能力”实践（Rentschler，2014年）以及在线反骚扰新闻摄影系列，这些系列断言女性和性别不符合个人的“不受欢迎的情感氛围”经历表明，街头骚扰是一种持续且普通的重男轻女结构，侵害妇女，性别不符合规定和公共场所中的同性恋团体。这篇文章提出了街头骚扰者用来穿越和改变不受欢迎氛围的普遍的抵抗行为，并说明了影响是如何政治和偶然地实现某个地方和文化的。