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The Crying Child
Current Anthropology ( IF 3.226 ) Pub Date : 2020-10-01 , DOI: 10.1086/710062 Temi Odumosu
Current Anthropology ( IF 3.226 ) Pub Date : 2020-10-01 , DOI: 10.1086/710062 Temi Odumosu
This article sketches key concerns surrounding the digital reproduction of enslaved and colonized subjects held in cultural heritage collections. It centralizes one photograph of a crying Afro-Caribbean child from St. Croix, housed in the Royal Danish Library, to demonstrate the unresolved ethical matters present in retrospective attempts to visualize colonialism. Working with affect and haunting as research material, the inquiry questions how museums and other cultural heritage institutions are caretaking historical violations, identifying themselves as hosting agents, and navigating issues of trust and accountability as they make their colonial collections available online. Speculating about what an ethics of care in representation could look like, the article draws on reparatory artistic engagements with such imagery and proposes how metadata could be rethought as a cataloging space with the potential to alter historical imbalances of power.
中文翻译:
哭泣的孩子
本文概述了围绕文化遗产收藏中被奴役和殖民主题的数字复制的关键问题。它集中了丹麦皇家图书馆收藏的一张来自圣克罗伊岛的加勒比非洲裔儿童哭泣的照片,以展示在对殖民主义进行可视化的回顾性尝试中存在的未解决的伦理问题。该调查将影响和困扰作为研究材料,质疑博物馆和其他文化遗产机构如何处理历史侵权行为、将自己标识为托管代理,以及在他们将殖民地收藏品在线提供时解决信任和责任问题。推测代表中的关怀伦理可能是什么样子,
更新日期:2020-10-01
中文翻译:
哭泣的孩子
本文概述了围绕文化遗产收藏中被奴役和殖民主题的数字复制的关键问题。它集中了丹麦皇家图书馆收藏的一张来自圣克罗伊岛的加勒比非洲裔儿童哭泣的照片,以展示在对殖民主义进行可视化的回顾性尝试中存在的未解决的伦理问题。该调查将影响和困扰作为研究材料,质疑博物馆和其他文化遗产机构如何处理历史侵权行为、将自己标识为托管代理,以及在他们将殖民地收藏品在线提供时解决信任和责任问题。推测代表中的关怀伦理可能是什么样子,