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Dancing the Nation? French Dance Diplomacy in Allied-Occupied Austria, 1945–55
Austrian History Yearbook ( IF 0.400 ) Pub Date : 2019-04-01 , DOI: 10.1017/s0067237818000607
Alexander Golovlev

T hese excerpts from critical reviews covering French dance tours in Vienna, Salzburg, and Innsbruck reflect the scale and variety of French cultural engagement and its growing public visibility in Austria. Out of the four Allied powers, it was France, and not the Soviet Union with its “ballet capital,” that made most use of dance and ballet for nation-branding purposes, both in sabots and on pointe. France's dance diplomacy exported all genres of dance to Austria in order to portray the politically and militarily weakened nation as a rayonnant cultural leader of Europe, whose diversity, supremacy, and grandeur were not undone by 1871 and 1940.

中文翻译:

跳舞的民族?1945–55 年在盟军占领下的奥地利的法国舞蹈外交

这些关于在维也纳、萨尔茨堡和因斯布鲁克的法国舞蹈之旅的评论摘录反映了法国文化参与的规模和多样性及其在奥地利日益增长的公众知名度。在四个盟军国家中,法国,而不是拥有“芭蕾之都”的苏联,最常将舞蹈和芭蕾用于国家品牌目的,无论是在马甲还是在足尖上。法国的舞蹈外交向奥地利输出了所有类型的舞蹈,以将这个政治和军事上削弱的国家描绘成欧洲的人造文化领袖,其多样性、至高无上和辉煌在 1871 年和 1940 年都没有消失。
更新日期:2019-04-01
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