From as early as the late 1970s anthropologists and ethnomusicologists have been both analysts of and advocates for institutional worlds of Aboriginal art and media. Keenly aware of the Faustian character ascribed to the Indigenous embrace of media, and attuned to the ironies of its governmental subvention, such work of necessity took shape in dialogue with specific institutional possibilities and Australian anxieties. This paper revisits the historical coordinates of Indigenous media research in the age of social media, exploring the relationship between institutional representation and recognition, and the avatars and memes afforded by contemporary social media platforms. Drawing from an ethnographic archive of online media, the essay seeks to better understand the dissimulation and self‐erasure these artefacts entail.

中文翻译：

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延迟的主题：民族志档案中的曝光和删除

早在1970年代末，人类学家和民族音乐学家就一直是土著艺术和媒体制度世界的分析家和倡导者。敏锐地意识到浮士德性格归因于土著人民对媒体的拥护，并与其政府资助的讽刺相吻合，这种必要的工作在与特定机构可能性和澳大利亚忧虑的对话中得以形成。本文回顾了社交媒体时代的土著媒体研究的历史坐标，探讨了机构代表性和认可度以及当代社交媒体平台提供的化身和模因之间的关系。从在线媒体的人种志档案库中提取的文章试图更好地理解这些伪影所带来的不真实感和自我消除。