In this article, we synthesize Goffman's microsociology with recent developments in fields such as aesthetics, geography, and urban studies labeled “atmosphere theory.” Our central rationale is if microsociology is to deepen its account of embodiment and the noncognitive it needs a theory of spatialized moods. In the second half, we develop our synthesis with respect to musical atmospheres and conclude by drawing on our own research regarding how social actors use music to shape “involvements” and “disinvolvements” in the spatial ambiances of public transportation, the street, the workplace, and the home.

中文翻译：

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形成氛围：日常生活中的戈夫曼，太空和音乐

在本文中，我们将Goffman的微观社会学与美学，地理学和标记为“大气理论”的城市研究等领域的最新发展进行了综合。我们的中心论据是，微观社会学是否要加深对体现的理解，而非认知则需要空间情绪理论。在下半年，我们将在音乐氛围方面进行综合，并通过我们自己的研究得出结论，即社会参与者如何利用音乐在公共交通，街道，工作场所的空间环境中塑造“参与”和“脱离参与”和家。