On 8 September 1979, the English punk bands Crass and Poison Girls played a benefit gig with the Dutch punk band Rondos at London's Conway Hall. The gig has become notorious in British punk history due to the violence that broke out between right-wing and left-wing factions, bringing to the fore wider political tensions evident across punk's fragmented milieu. Not only did it embody the attempts of the far-right and far-left to co-opt punk's rebellion, but it also brokered a debate as to the nature of punk's politics and its relationship to existing political movements. In many ways, punk's politics – especially the overt politics of bands such as Crass and Rondos – was defined against the systematic ideologies of the left and right. Nevertheless, the controversy that followed the Conway Hall gig ended the transnational friendship that had been established between the bands, leading to a protracted debate on questions of political violence, pacifism and anarchism. This article provides a comparative study...

中文翻译：

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血腥革命，法西斯主义的梦想，无政府状态与和平：克拉斯，朗多和朋克政治，1977-84年

1979年9月8日，英国朋克乐队Crass和Poison Girls在伦敦康威音乐厅与荷兰朋克乐队Rondos进行了一场有益的演出。由于右派和左派之间爆发暴力冲突，这场演出在英国朋克历史上声名狼藉，这突显了朋克四分五裂的环境中更广泛的政治紧张局势。它不仅体现了极右翼和极左翼试图加深朋克叛乱的尝试，而且还引发了一场关于朋克政治本质及其与现有政治运动关系的辩论。在许多方面，朋克的政治思想-尤其是Crass和Rondos等乐队的公开政治-被定义为左右派的系统意识形态。不过，康威音乐厅演出之后的争议结束了乐队之间建立的跨国友谊，导致了关于政治暴力，和平主义和无政府主义问题的旷日持久的辩论。本文提供了比较研究...