Perhaps it is best to dispense with a few necessary admissions. Selfimplicating, yes; a desire for the reader to temper their expectations, maybe. ‘Why is he writing this?’, you might ask (see one response below) deploying a concatenation of language(s) that are both inside and outside at the same time. Indeed. So much has yet to be written on the enmeshment of interiorities to be formulated within architecture. Yet within this call and response to an elegant densification of meanings in and around a collection of essays, of perambulations among spaces close and proscriptive, virtual and haptic, we find one who started thinking about this volume from the back to the front, a kind of delinquent recto–verso that has since become one intriguing mode by which to regard Brian Massumi’s challenging collection of essays, Architectures of the Unforeseen.

中文翻译：

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评论：Brian Massumi，不可预见的建筑：当代艺术论文集

也许最好免除一些必要的承认。自我暗示，是的；也许是希望读者能够降低他们的期望。“他为什么要写这个？”，您可能会问（请参阅下面的一个回复）同时部署一系列内部和外部语言。确实。关于要在建筑中制定的内部性的纠缠，还有很多东西还有待写。然而，在对一系列散文中及其周围意义的优雅浓缩的呼唤和回应中，在封闭和禁止、虚拟和触觉的空间之间的漫游中，我们发现有人开始从后到前思考这本书，一种从那以后，这已成为一种有趣的方式来看待布赖恩·马苏米（Brian Massumi）具有挑战性的散文集，《不可预见的建筑》（Architectures of the Unforeseen）。