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“Students Make History Every Day Just by Sitting on These Steps”: Performative Spaces and Re-Genring in the South
Education as Change ( IF 0.302 ) Pub Date : 2018-05-28 , DOI: 10.25159/1947-9417/706
Aditi Hunma

Students’ call for decolonising the curriculum has triggered deep reflection about what we teach and how we teach it, but equally, about the role of pedagogic spaces in recognising students as agents in their learning. This paper is situated within the field of academic literacies, where students’ engagement with texts is seen as being context-specific, and involving assertions of agency to various degrees. The added dimension here is the embedding of digital literacies, defined as a set of customised online practices, into a writing-intensive, first year, foundational course at a South African university, to favour the acquisition of academic literacies. The analysis of different spaces becomes crucial in grasping how innovative forms teaching and learning may take place. In his trialectics of space, Lefebvre distinguishes between perceived, conceived and lived spaces. Butler would refer to lived spaces as “performative” ones, “congealing” into form through iterative use. Online learning spaces may well turn into performative spaces as students inhabit them, interact with online resources and explore their spatial boundaries. I perform a discourse analysis of students’ textual practices on the online and physical spaces, to explore how students reproduce or subvert genre categories through processes of “re-genring.” Furthermore, I share the extent to which such pedagogic spaces become performative, the power dynamics that emerge, and their effects on our traditional conception of teaching and learning in higher education.

中文翻译:

“学生每天只要坐在这些台阶上就可以创造历史”:表演空间和南方的复兴

学生要求对课程进行非殖民化的呼吁引发了对我们所教课程和教学方式的深刻反思,但同样,教育空间在识别学生作为学习主体的过程中也发挥了作用。本文位于学术文化领域,在该领域中,学生对文本的参与被视为特定于上下文的,并且在不同程度上涉及代理的主张。这里增加的维度是将数字文学嵌入到一所南非大学的写作密集的第一年基础课程中,该数字文学被定义为一组定制的在线实践,以支持学术文学的获得。对不同空间的分析对于掌握如何进行创新的教学形式至关重要。列斐伏尔(Lefebvre)在太空的辩证法中,区分了感知,构思和居住的空间。巴特勒将居住空间称为“高性能”。一个,“凝结”?通过迭代使用转化为形式。当学生居住在网上学习空间,与网上资源互动并探索其空间边界时,在线学习空间很可能会变成表演空间。我对在线和物理空间上学生的文字习惯进行了语篇分析,以探讨学生如何通过“重新生成”过程来复制或颠覆类型类别。此外,我也分享了这种教学空间在多大程度上具有表演性,所展现的力量动态及其对我们传统的高等教育教学观念的影响。当学生居住在网上学习空间,与网上资源互动并探索其空间边界时,在线学习空间很可能会变成表演空间。我对在线和物理空间上学生的文字习惯进行了语篇分析,以探讨学生如何通过“重新生成”过程来复制或颠覆类型类别。此外,我也分享了这种教学空间在多大程度上具有表演性,所展现的力量动态及其对我们传统的高等教育教学观念的影响。当学生居住在网上学习空间,与网上资源互动并探索其空间边界时,在线学习空间很可能会变成表演空间。我对在线和物理空间上学生的文字习惯进行了语篇分析,以探讨学生如何通过“重新生成”过程来复制或颠覆类型类别。此外,我也分享了这种教学空间在多大程度上具有表演性,所展现的力量动态及其对我们传统的高等教育教学观念的影响。探索学生如何通过“重新生成”过程来复制或颠覆类型类别。此外,我也分享了这种教学空间在多大程度上具有表演性,所展现的力量动态及其对我们传统的高等教育教学观念的影响。探索学生如何通过“重新生成”过程来复制或颠覆类型类别。此外,我也分享了这种教学空间在多大程度上具有表演性,所展现的力量动态及其对我们传统的高等教育教学观念的影响。
更新日期:2018-05-28
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