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From Oldboy to Burning: Han in South Korean films
Culture & Psychology ( IF 1.168 ) Pub Date : 2020-04-26 , DOI: 10.1177/1354067x20922146
Björn Boman 1
Affiliation  

Korean culture has been shaped by the traumatic colonial past (1910–1945), which in part facilitated the rise of the historical-cultural han concept in the 1920s onward, often interpreted as rancor, grief, or resentment due to a real or alleged undeserved experience of the Korean people but also beautiful artistic expressions. Scholars have applied han to, for example, Korean music genres like pansori and even Korean American popular culture. The current article critically examines expressions of implicit han in relation to four contemporary South Korean films. The analysis suggests that han is expressed in a plethora of ways, depending on for instance the main characters’ constitution and the specific cultural-ideological framework presented in each text, and must always be understood in relation to such macro variables rather than as an isolated expression of a particular concept.

中文翻译:

从老男孩到燃烧:韩国电影中的韩寒

韩国文化是由创伤性的殖民历史(1910-1945)塑造的,这在一定程度上促进了 1920 年代以后的历史文化汉概念的兴起,通常被解释为因真实的或所谓的不当行为而产生的怨恨、悲伤或怨恨。体验韩国人的同时也有美丽的艺术表现形式。例如,学者们已经将 han 应用于韩国音乐流派,如盘索里,甚至韩裔美国流行文化。本文批判性地考察了与四部当代韩国电影相关的隐性韩语表达。分析表明,汉的表达方式多种多样,例如取决于每个文本中主要人物的构成和特定的文化意识形态框架,
更新日期:2020-04-26
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