Abstract The present paper investigates the linguistic, socio-cultural and political movements portrayed in Balti's songs in the pre and post Tunisian Revolution periods. It further aims at depicting the hip-hopper linguistic behaviour and particularly code switching within the two periods to move amid the local and the global spheres. Instances of code switching to French and English are studied to describe the amount of switching during both periods and the social constraints behind his linguistic behaviour in a corpus of 12 songs. The themes of the songs are further explored to investigate the rapper's concerns about the socio-cultural and political life of Tunisians in the periods under study.

中文翻译：

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突尼斯嘻哈音乐话语：从地方到全球的语言、社会文化和政治运动，反之亦然？巴尔蒂歌曲的案例研究

摘要 本文调查了突尼斯革命前后时期巴尔蒂歌曲所描绘的语言、社会文化和政治运动。它进一步旨在描绘嘻哈语言行为，特别是两个时期内的代码转换，以在本地和全球范围内移动。研究了代码转换为法语和英语的实例，以描述这两个时期的转换量以及他在 12 首歌曲的语料库中语言行为背后的社会约束。进一步探索歌曲的主题以调查说唱歌手对所研究时期突尼斯人的社会文化和政治生活的关注。