ABSTRACT In this article, based on a critical metaphor analysis, we identify and describe multimodal metaphors involving the human body and its conceptualizations in five auteur films of the 2010s. Studies on the human body in cinema have documented how it changes according to underlying ideologies. Our research focuses on the role of image schemas and metaphors as they embody meanings and sociocultural paradigms. Metaphors also frame how the body is conceptualized according to dominating ideological practices such as (a) commodification, (b) the integration between artificial and organic, (c) dissatisfaction, (d) dynamics of beautification and idealization, and (e) politicization of the human body. We show how metaphors are creative tools to reframe meanings and representations of the body and how the body is a construct refashioned within the cinematic discourses of these films.

中文翻译：

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De Corporibus Humanis：电影中人体表现的隐喻和意识形态

摘要在本文中，基于批判性隐喻分析，我们识别并描述了 2010 年代五部导演电影中涉及人体及其概念化的多模态隐喻。对电影中人体的研究记录了人体如何根据潜在意识形态发生变化。我们的研究集中在形象图式和隐喻体现意义和社会文化范式时的作用。隐喻还根据主导的意识形态实践（例如（a）商品化，（b）人造和有机之间的整合，（c）不满，（d）美化和理想化的动态，以及（e）人类的身体。