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Effects of Continuity or Discontinuity in Actual Film Editing
Empirical Studies of the Arts ( IF 1.675 ) Pub Date : 2017-11-30 , DOI: 10.1177/0276237417744590
Thorbjörn Swenberg 1 , Per Erik Eriksson 1, 2
Affiliation  

The film editor’s task in refining film edits by frame-by-frame matching is an important undertaking in perceptual precision. This article investigates whether the failure of a few frames jeopardizes the perceived continuity of a film. Thirty-three Swedish students were eye-tracked while watching two versions of the same documentary film sequence; one version was completed to continuity satisfaction by a film editor, while the other had some frames altered toward discontinuity. Gaze hits in Areas-of-Interest appointed by the film editor, saccade frequency, and pupil dilation after edit points were measured. No significant difference was found for hits in Areas-of-Interest, whereas saccade frequency and relative pupil size increased after edits in the altered version of the film sequence. Results indicate that the altered film sequence constrained viewers with possible cognitive effects, implying that frame-by-frame matching of film edits achieved by film editors is crucial to film continuity.

中文翻译:

连续性或不连续性在实际电影编辑中的影响

电影编辑者通过逐帧匹配来完善电影编辑的任务是感知精度的一项重要任务。本文调查了几帧的故障是否会损害影片的连续感。在观看同一纪录片的两个版本时,有33名瑞典学生被跟踪了视线。一个版本的编辑完成了对连续性满意的版本,而另一个版本的某些帧朝着不连续性进行了更改。影片编辑指定的兴趣区域中的凝视命中率,扫视频率和测量编辑点后的瞳孔散大。在“兴趣区”中的命中率没有发现显着差异,而在改变了电影序列的版本中,扫视频率和相对瞳孔大小增加了。
更新日期:2017-11-30
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