Two disciplines have greatly contributed to a new understanding of phantasy and imagination in contemporary thought: phenomenology and psychoanalysis. These two different approaches to Phantasie developed almost simultaneously at the beginning of the twentieth century. The examination of Phantasie can focus on the concrete form of the phantasm as a unique object formation—or better, as scene. The attention can also be directed to the style of imagining as specific intentionality. Whereas the second line of research has been extensively studied in the context of phenomenological investigation, psychoanalytical inquiry has greatly contributed to the understanding of the phantasm as scene. In the present paper, the author primarily examines the notion of phantasy from a phenomenological perspective. More specifically, the author intends to show the inner tensions between the concept of pure phantasy as intentional act and the manner of appearance of unclear phantasy. If we consider the essential traits of the appearances of unclear phantasies (protean form, abruptness, and intermittence), the unclear phantasies cannot be considered as quasi-perceptions of a fictional object, since no intentional object constitutes itself in this confused dimension.

中文翻译：

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幻梦现象学

两种现象为当代思想中的幻像和想象力的新理解做出了巨大贡献：现象学和精神分析。在20世纪初，这两种不同的 Phantasie 方法 几乎同时发展起来。 幻想 考试 可以将幻象的具体形式作为一种独特的对象形成形式，或者更好地作为场景。注意力也可以指向想象为特定意图的风格。第二项研究是在现象学研究的背景下进行了广泛研究的，而心理分析探究极大地促进了对幻象作为场景的理解。在本文中，作者主要从现象学的角度研究了幻像的概念。更具体地说，作者打算展示纯幻想作为有意行为的概念与不清楚的幻想的出现方式之间的内在张力。如果我们考虑到不清楚的幻象出现的本质特征（蛋白形式，突变性和间断性），