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On the Red and Yellow Pigments of Post-Byzantine Greek Icons*
Archaeometry ( IF 1.6 ) Pub Date : 2020-12-03 , DOI: 10.1111/arcm.12642
G. P. Mastrotheodoros 1, 2 , K. G. Beltsios 3 , Y. Bassiakos 4
Affiliation  

Red and yellow pigments on more than 50 panel paintings were investigated. The studied artefacts dated from the mid-15th to the mid-19th centuries and came from regions in modern-day Greece. Cinnabar and yellow ochres predominated. Ιn the case of the region of north-west Greece there was a persistent use of orpiment and the employment of a peculiar ochre-type pigment, while the rare lead-antimony-tin yellow was identified in an early 18th-century Greek icon. Trends in pigments use during the post-Byzantine period are revealed and compared with contemporary Western European ones. Recipes and terms of the Hermeneia manual are revisited in light of the analytical data, and pertinent misconceptions are restored.

中文翻译:

后拜占庭希腊偶像的红色和黄色颜料*

调查了 50 多幅面板画上的红色和黄色颜料。研究的手工艺品可追溯到 15 世纪中叶至 19 世纪中叶,来自现代希腊的地区。朱砂和赭石占主导地位。就希腊西北部地区而言,一直使用雌黄并使用一种特殊的赭石型颜料,而稀有的铅锑锡黄则是在 18 世纪早期的希腊图标中发现的。揭示了后拜占庭时期颜料使用的趋势,并与当代西欧的趋势进行了比较。根据分析数据重新审视Hermeneia手册的食谱和条款,并恢复相关的误解。
更新日期:2020-12-03
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