The comprehensive study of spaces decorated during the Palaeolithic is able to obtain information about visits to the sites and their uses. However, it is essential to determine the temporal relationship between the different forms of archaeological evidence and not assume their synchronicity with the parietal art. Therefore, numerical dates are necessary. 14C-AMS dates for the art and other evidence in the Sala de las Pinturas in Ojo Guareña Cave have documented discontinuous human visits to the site from ~ 13,000 to ~ 1000 cal BP, in the course of at least five phases. This new information implies the observation and probably the use of the Palaeolithic art by farming communities after its creation by hunter-gatherers. The fact that decorated caves were used repeatedly adds a new dimension to the study of Palaeolithic art, which may have been reused in a time after it was produced, and underscores the need to date archaeological events to understand the degree of synchronicity and/or diachronicity of the human actions.

对旧石器时代装饰的空间进行的全面研究能够获得有关参观遗址及其用途的信息。然而，至关重要的是要确定不同形式的考古证据之间的时间关系，而不要假定它们与壁画的同步性。因此，数字日期是必需的。14C-AMS的工艺日期和OjoGuareña洞穴的Sala de las Pinturas中的其他证据已证明，在至少五个阶段的过程中，人类从该场所不连续地访问了大约13,000 BP至〜1000 cal BP。这些新信息意味着在狩猎和采集者创造后，农业社区对旧石器时代艺术的观察和使用。反复使用装饰性洞穴的事实为旧石器时代的艺术研究增添了新的维度，