Haptics, audio and human–computer interaction are three scientific disciplines that share interests, issues and methodologies. Despite these common points, interaction between these communities are sparse, because each of them have their own publication venues, meeting places, etc. A venue to foster interaction between these three communities was created in 2006, the Haptic and Audio Interaction Design workshop (HAID), aiming to provide a meeting place for researchers in these areas. HAID was carried out yearly from 2006 to 2013, then discontinued. Having worked in the intersection of these areas for several years, we felt the need to revive this event and decided to organize a HAID edition in 2019 in Lille, France. HAID 2019 was attended by more than 100 university, industry and artistic researchers and practitioners, showing the continued interest for such a unique venue. This special issue gathers extended versions of a selection of papers presented at the 2019 workshop. These papers focus on several directions of research on haptics, audio and HCI, including perceptual studies and the design, evaluation and use of vibrotactile and force-feedback devices in audio, musical and game applications.

中文翻译：

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触觉和音频交互设计

触觉，音频和人机交互是共享兴趣，问题和方法的三门科学学科。尽管存在这些共同点，但由于每个社区都有自己的出版场所，聚会场所等，因此这些社区之间的交流很少。2006年创建了一个促进这三个社区之间的交流的场所，即触觉和音频交互设计研讨会（HAID） ），旨在为这些领域的研究人员提供一个聚会的场所。HAID从2006年到2013年每年进行一次，然后停止。在这些地区的交叉口工作了数年之后，我们感到有必要恢复这一活动，并决定于2019年在法国里尔举办一次HAID版本。参加HAID 2019的有100多名大学，行业和艺术研究人员和从业人员，展现出对如此独特场地的持续兴趣。本期专刊收集了2019年研讨会上精选论文的扩展版本。这些论文集中于触觉，音频和HCI的几个研究方向，包括感知研究以及在音频，音乐和游戏应用中的触觉和力反馈设备的设计，评估和使用。