This paper discusses the twofold role of music as a means to manifest border-induced (cultural) difference and simultaneously foster alternative modes of belonging. The author draws on her ethnographic research, consisting of participant observation, desktop research, and interviews, and reflects on her auto-ethnographic recordings of engaging with refugee musicians. The discussion unfolds around vignettes

The animal and being animal is a proposition and position that invites observational and critical debate. Yet, the presence of the non-human animal is usually and normatively confined to representational artworks rather than the animal itself in the gallery or museum, which is, potentially, problematically anthropocentric. Using diverse methods, processes, and materials, and curious to a myriad of

This paper examines the heavy metal genre as a popular form of apocalypticism, i.e., as a warning reminder or “premediation” of potentially (large-scale) lethal crises. By confronting the audience with disturbing, seemingly exaggerated scenarios of disease, chaos, war, and horror, heavy metal builds barriers in popular culture against what philosopher Günther Anders has called “apocalyptic blindness

This article tells the story of a university community engagement project that began in the late spring of 2020 when the world went into lockdown. Increased concern over women's welfare and well-being was brought into question in relation to those who are vulnerable with complex needs and had suffered societal-induced hardships. In conjunction with an innovative women's community project, this study

One of the most compelling effects of digitally enhanced and digitally enabled immersive exhibitions is their paradoxical dematerialization of “analog” experience. What leads exhibition visitors to accept that immersion is a state achieved only through technological mediation? Are we not already perceptually immersed in the world, as the phenomenologists asserted? This essay explores how digital enhancement

Photography by Cambodian artist Lim Sokchanlina (b.1987) in his National Road Number 5 series and Indonesian artist Yoppy Pieter’s (b.1984) Saujana Sumpu series interpret the notion of placemaking. Sokchanlina and Pieter portray a fraught relationship between place and identity, integrating a sense of belonging integral to a residence and connecting the medium of photography with the appeal of a home

Brazil received the largest number of Africans enslaved into the Americas: nearly five million by some estimates. Thus, Brazil became the world’s largest slavocracy. But slavery was not the only experience available to Africans and Brazilians of African descent in slavery-era Brazil. Numerically, Afro-Brazilians dominated the arts in colonial Brazil. However, very few of those artists and artisans

In its political ideology, large sectors of Israeli society hold the belief that only people who share its ethnocratic values can share the same hygiene identity with it, reflecting its self-perception as a pure national subject. This is the context in which scatological works based on radical materialism and ethical critique first appeared in Israeli performance and video art at the turn of the twenty-first

This study aims to investigate the contribution that the Italian maestro Nicola Guerra brought to the Budapest Opera House Ballet (from 1902 to 1915), founding a corps de ballet capable of competing with the best corps de ballet of other international theatres and endowing the theatre with a consistent and valuable number of choreographies, some of which were performed even after Guerra had left Hungary

This study thoroughly examines La Manada (The Wolf Pack) City, an artwork that illuminates the various forms of violence and oppression experienced by urban communities, particularly women and marginalized groups. Our research specifically focuses on the literary elements of this painted map which demonstrates the transition from defensive to artistic strategies as a means of survival. Initially, we

This article seeks to contribute to the reflection around the training of future designers regarding teamwork. Collaboration, teamwork and negotiations are common everyday interactions that are now known to contribute positively to the design process. This article builds on a theoretical model that was initially proposed as a Ph.D. thesis contribution: the zone of proximal development for learning

Art and movement are motivating forces in, though, and beyond education. As populations age, there is an increasing need to support physical and social well-being. Yet, since the onset of the COVID-19 pandemic, there has been a reported exponential increase in feelings of loneliness across generations. Complex challenges require trans-disciplinary solutions, and this paper represents a joint effort

Co-design and other associated design approaches often deploy creative and making approaches in facilitating collaborative practices. In a therapeutic setting, engagement in creative and making activities have been associated with improvements in people's well-being, yet when deploying these as part of co-design practices, these outcomes are often overlooked. This paper presents the results from a

While it is well established that articulations of identity must always be contextualized within time and place, only when we consider how bodies move through, touch, and are touched by physical, cognitive, and even imaginary spaces do we arrive at dynamic and intersectional expressions of identity. Using two divergent visual culture case studies, this essay first applies Setha Low’s theory of embodied

A cultural landscape is the result of a continuous interaction between the surrounding natural landscape and culture. Meanings, symbols, and codes of culture are an integral part of it. This paper is a review of publications on current research over the past 20 years. The aim is to analyze the existing research practices, which are based on factual evidence and existing theoretical foundations, using

Exploring the role of public art in conveying complex socio-political messages, this article investigates the multifaceted socio-educational impact of 32 murals representing the war in Ukraine, located in Jasień Railway Station, Gdansk, Poland. Employing an interdisciplinary research approach, the study combines critical theory and visual communication methodologies to uncover the deeper messages conveyed

In recent years, the LED walls originally used in outdoor spaces by advertising companies to extend the consumption of images in our daily life have been appropriated by artists and installed in gallery spaces. When viewed nearby or when walking around them, LED walls become in some way dysfunctional: The images fade, points and color distortions appear, and the spectacle of the machine interruputs

The Lisa and John Slideshow is a theatrical response to my own earlier photographic project, Pictures from the Real World. Colour Photographs, 1987–88, interrogating recurring theoretical questions that challenge the discourse of social documentary photography through an expanded practice. As a significant piece of research, devised through participation with those depicted within the image, the forty-five-minute

This article explores how a holistic combination of three components, society, art, and architecture, can contribute to the successful revitalisation of derelict buildings and, at the same time, improve the well-being of the users of reclaimed spaces. The author uses a case study of a playground designed by the artist Iza Rutkowska in cooperation with children in a specific location at the Intermediae

Artmaking, when used as a form of pedagogy and approached in a socially-conscious manner, has the potential to promote agency and create a democratic learning environment for students. This study examines one such project, "The Council," created by artist Adelita Husni-Bey in collaboration with former Teen Program attendees of the Museum of Modern Art. The Council is a collection of large-scale photographs

Digital automation is on the rise in a diverse range of industries. The technologies employed here often make use of artificial intelligence (AI) and its common form, machine learning (ML) to augment or replace the work completed by human agents. The recent emergence of a variety of design automation platforms inspired the authors to undertake a review of the research literature on the impact of Automation

This article discusses how orientalism has operated and continues to operate within the North American artistic landscape of dance artists. The author starts by focusing on Uday Shankar (1900–1977), one of the major, though often overlooked, figures over the last 100 years of South Asian (and predominantly Indian) dance performance on the concert stage in the diasporic context, to consider how orientalism

This article addresses the use of Latin accounts of Homer’s archetypal sorceress, Circe, in visual narratives constructed to embellish quattrocento marriage chests (cassoni). I argue that Apollonio di Giovanni employed the writings of both ancient (Virgil) and late medieval (Boccaccio) Latin authors to construct a characterization of Circe that rendered her power to transform men into beasts relevant

The article focuses on Brazil’s visual arts historiography from the 1990s onwards when institutions in Europe and the U.S. began to present Brazil’s art more frequently amid the growing globalization of the art system. Edge cases are highlighted to demonstrate how scholars based outside Brazil are helping to build a canon of that country’s visual arts that contrasts and surpasses the canon of Brazil’s

This article explores an intellectual disconnection in architectural education about the conception of wood as a building material. It explores initiatives to develop in future architects a deeper consciousness of the complex ecology of timber, promoting its sustainable use in the building industry. It explores six case studies drawn from architectural education to explore the ways in which the properties

This research explores the figurative culture that flourished in Sicily during the 12th and 13th centuries, focusing on the interplay between artifacts of different types, materials, techniques and uses. Paintings, sculptures and objects that share a common visual language are analyzed with the aim of highlighting recurring motifs, mutual influences and related sources. The main focus is on the decorative

Persona design aims to increase students’ ability to understand their target users and address their needs. Yet, there is a lack of conceptual frameworks that help students systematically conceptualise user needs, specifically the two key requirements of persona design: representativeness and empathy. In this study, we find an alternative method using cultural dimensions to ensure that students conceptualise

This study seeks to explore the impact of social upbringing on architectural learning. The theory of “habitus” helps to understand how students’ personality dispositions might affect the way they approach learning in the “field” of architectural education. The notions of learning approaches and knowledge codes in literature are used to develop a framework for the study that helps to explore the field

At the beginning of the 20th century, the definition of art became one of the difficult topics of aesthetics and art theory. The emergence of the institutional approach and the debates surrounding it provoked many responses. This article proposes one possible response that uses Kant’s example of category deduction as a productive analogy that can serve as a “deduction of art categories”. Art is seen

The concept of navigation, introduced by Harun Farocki in his lecture Computer Animation Rules, explains the digital/algorithmic choreography of consumer behaviour through media platforms. This article contends navigational connectivity is a cybernetic operating structure for capital, which mediates the techno-geographic milieu of the capitalocene and is a key factor in the present destabilization

Animal combats (venationes) were a popular entertainment in the Roman world. Splashy panels of inlaid marble (opus sectile) commemorate these bloody contests in several buildings in and around Rome. Among the most well-known are survivals from the 4th century CE Basilica of Junius Bassus and, several decades later, the marble-revetted hall from Porta Marina at Ostia. On the face of it, the wall decoration

Dürer’s Apocalypse was undoubtedly the prototype for the many apocalyptic representations that suddenly appeared in Central Europe by the end of the sixteenth century: the influence of Dürer’s Apocalypse extended far beyond the German borders, towards Western, Southern and Eastern countries. The Apocalypse text is extremely rich in symbols so that it could easily be enriched with additional meanings:

The monastery of Holy Savior has been the subject of much scholarship, but the liturgical reform requested by King Roger II of Sicily and carried out by the first archimandrite, Luke of Rossano, and the latter’s struggle to establish seemly equipment, has been largely neglected. Given its potential relevance for the material setting of the monastery’s early manuscript collection through the middle

João Delgado’s poetry first appeared as an anthology of translated poetry in He’arat Shulaym Issue 1, published in November 2001 in Jerusalem by the artist collective Sala-Manca. The entire issue was devoted to João Delgado. Delgado was a Portuguese-Argentinean poet, born in Lisbon circa 1920 (or not), who left Portugal as a political refugee for Buenos Aires. He disappeared in 1976 during the military

This article investigates the origins and significance of images of griffins and sphinxes—hybrid creatures of Greco-Roman tradition—in the marginal decorations of the so-called “Neapolitan Ovid” (BNN ms. IV F 3), the first illuminated manuscript of the Metamorphoses, probably from the late 11th century. Their form and style suggest specific iconographic origins and links with the decorative motifs

Quilts occupy a liminal position in the histories of art and material culture. Centering analyses around specific artworks like Martha Ricks’ 1892 Coffee Tree quilt, as well as investigating women’s writing about their material production, illuminates ignored narratives about the ways black women participated in international social, political, and economic networks around the nineteenth-century Atlantic

Both mapping and artist documentary filmmaking offer us subjective translations of reality and strategies to relate to and represent space, sharing analogous methods of production that allow for a useful application of the spatial language of mapmaking to filmmaking. Immersing the film process within the language of mapmaking can then act as a bridge into the spatial practices of the gallery environment

Heta-Uma, a Japanese illustration style, was first proposed in the 1970s and flourished in the 1980s. It involves illustration that expresses a unique artistic temperament through the use of childlike and naive forms. However, such a special cultural phenomenon has not been widely explored in the literature. The aim of this article is to examine the Heta-Uma works during the 1980s and reveal the role

In her Nobel speech in 2019, Olga Tokarczuk presented the category of tenderness as a new way of narrating the contemporary world. This article is a proposal for the analysis and interpretation of tenderness in ethical and aesthetic terms. (1) From an ethical perspective, tenderness is interpreted as an extension and complement of feminist relational ethics, i.e., the ethics of care. In the proposed

This article focuses on a performance titled In the Land of the Gilead, performed in 2012 by Doron Tavori and Yochai Avrahami at the Centre for Digital Art in Israel. The work was performed as a part of the exhibition Le’an (Where To?). Its title is derived from a plan suggested by Laurence Oliphant (a British colonialist bureaucrat, author, and Member of Parliament) in 1881 to settle Jews in the Gilead

In this article, the process of speculating an Irish cosmotechnics is instigated by taking a decolonial approach to technics and technology in Ireland with a focus on three artworks: Assembly by Shane Finan, Interlooping by EL Putnam, and Entanglement by Annex. Each work relates to a different aspect of Irish technological history, from its national beginnings to its current role in global cloud computing

ABSTRACT Despite the ubiquity of cross-cultural adoption, some instances have generated public outcry as alleged forms of exploitative appropriation rather than affirmative appreciation. Careful, complex consideration of contentious instances of cultural adoption is especially important in postcolonial societies characterised by ingrained power imbalances that can lead to both exploitative, offensive

In the Illustrations in Roll and Codex (1947), Kurt Weitzmann developed a methodological apparatus for studying Byzantine and medieval narrative book illumination. His approach had two important features: an evolutionary narrative typology that paid attention to the narrative strategies the painter chose for presenting a story and a comparative narrative analysis that observed stories in illustrations

This paper focuses on installation art and its potential to employ and elaborate psychological concepts. As Claire Bishop argues, installation art has a psychologically absorptive character because it activates and immerses the viewing subject. To analyze this immersive experience, she refers to Maurice Merleau-Ponty and the premise that subject and object are intertwined and reciprocally interdependent

Photographic postcards featuring farmer culture on the American Great Plains hold a tangled relationship to the concept of home. As both personal and tactile keepsakes to be taken home after travel and souvenirs directed to loved ones, the postcard bridges spaces of home, travel, and migration. Furthermore, postcards are significant vehicles in storytelling and community building. In the early twentieth

If gentrification is a violent form of “un-homing” (Elliot-Cooper et al., p. 494), then it is no surprise to witness an intensification of photographic practice in gentrifying areas; photography is, after all, fundamentally a place-making practice. Taking “home” to include the wider neighborhood and urban environment (Blunt and Sheringham 2019), this paper argues that the concept of anticipatory nostalgia

We sought to understand the common interaction between music, information and visual art. The evoked affect of college students (N = 47, F = 35, M = 11, NB = 1) were measured via The Implicit Posit...

ABSTRACT A dynamic framework for debating diasporic African identity draws on Ntongela Masilela’s work on the New African Movement. Linking the global to the local, the argument connects theorists who have applied similar dialectical arguments in other expressive sites as they try to make sense of their own cultural origins and subsequent diasporic nomadism. Drawing on the nomadic ideas of Teshome

Challenging the idea of “home” as a safe refuge, or an enclosure of stability, this article explores ways in which home can be envisioned as an ontological space of becoming, where life is always risked. “POV: A Home of Alterity” is conceived within a deconstructivist theoretical framework and asks the question of how home can be perceived as an open text—a locus of oscillation between inside and outside—for

Everyday objects have often been used in contemporary art since Marcel Duchamp introduced the concept of the ready-made. However, it is not clear how everyday objects are perceived in art contexts ...

The architecture of the Soviet Avant-garde represents an important part in the history of the world’s architecture. It has become and continues to be a subject of interest for numerous researchers all over the world since the second half of the 20th century. However, was it well-known before, and who was the first to spread that knowledge? This article aims to study the critical legacy of Italian artist

Published in Critical Arts: South-North Cultural and Media Studies (Ahead of Print, 2023)

This article examines the visual representation of pagan idols in Byzantine book illumination and investigates how such images were employed to convey a sense of geographical or ethnic distance. The main focus of this study is a group of illuminated manuscripts containing two of the most popular texts in the Byzantine world: Barlaam and Ioasaph and the Alexander Romance. These manuscripts include numerous

Throughout the XX century, the hard-fought battle of blacks and dark-skinned dancers to perform the classical repertoire on professional stages (including “white ballets”) was a part of the struggle for citizens’ equality. Cuba is a clear example of creating a national ballet school in a country where the fight for social equality was closely connected with overcoming racial segregation. But some researchers

The collective ritual of building one-day votive churches (obydennye khramy) was practiced in the European north of Russia between the late 14th and 17th centuries. The product of a syncretism between Orthodox Christianity and native folklore, the ritual’s purpose was to deliver the community from epidemic disease. One-day churches were built of freshly cut logs, on virgin ground, in a prominent place

In the 10th century, the arrabales of Córdoba underwent a process of rapid growth, triggered by the growing political authority of the capital of the western caliphate. This involved the urbanisation of erstwhile agricultural areas, with new streets and public buildings such as baths, mosques, and funduqs, as well as whole blocks of houses. Domestic blocks generally took the shape of lines of houses

Art experts generally perceive, process, and appreciate artworks differently from non-experts. Here we explored whether animacy of the content and prestige of the context of artworks matter to expe...

This article describes Picasso’s first visit to the French capital in 1900, and the events that led to his first major exhibition at the acclaimed Galerie Ambroise Vollard in Paris in 1901. The first section provides a narrative of his early experiences abroad as a young unknown artist, his influences, and the contacts he established with friends, artists and dealers during this important period of

This article examines the reception of popular serial narratives. Starting from the assumption that this reception presents both a challenge (how to study the vast and heterogeneous readerly engagement with these texts?) and a chance (readers of such texts tend to comment profusely about the reception process), we identify the paratext as a privileged space of readerly communication on, and serial

In 2021, the Asian Art Museum of San Francisco inaugurated the opening of its new contemporary wing with teamLab: Continuity. The immersive exhibition spanned six galleries and was fully interactive via sensors and digital projection mapping technology; flowers bloom and grow, flying crows burst into colorful chrysanthemums, and butterflies are born or killed at a moment’s touch. The digital objects