Eerola et al.'s multi-layered model for the pleasure taken in music-elicited sadness is an important step in integrating explanatory accounts from different disciplines. Here, I would like to point out two theoretical inconsistencies that lie at the very root of the paradox and can have a major impact on future studies: first, the conflation of the transformation hypothesis and the co-activation hypothesis of sadness and pleasure, and second, the conflation of sadness that is elicited by musical instruments and that which is elicited by lyrics.

中文翻译：

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悖论的根源

Eerola等人针对音乐引起的悲伤所使用的愉悦感的多层模型是整合不同学科的解释性解释的重要一步。在此，我想指出两个理论上的矛盾之处，它们是悖论的根源，并且可能对未来的研究产生重大影响：首先，将转换假设与悲伤和愉悦的共同激活假设相结合，以及其次，是乐器引起的悲伤和歌词引起的悲伤的融合。