This study aims to investigate the contribution that the Italian maestro Nicola Guerra brought to the Budapest Opera House Ballet (from 1902 to 1915), founding a corps de ballet capable of competing with the best corps de ballet of other international theatres and endowing the theatre with a consistent and valuable number of choreographies, some of which were performed even after Guerra had left Hungary. It also aims to investigate the transnational career of a choreographer in the early twentieth century, exploring the circulation of mindsets in a range of dance concepts. The investigation explores first-hand sources, many of which come from the Guerra family archives, dwelling also on the notations transcribed by the maestro himself, in particular of the ballet Havasi Gyopár (Edelweiss), which allow us to draw with some reliability on his compositional style that was particularly fruitful in choreographies for large groups.

中文翻译：

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Nicola Guerra (1865–1842) 在布达佩斯歌剧院演出：匈牙利芭蕾舞团的重要转折点

本研究旨在探讨意大利艺术大师尼古拉·格拉 (Nicola Guerra) 对布达佩斯歌剧院芭蕾舞团 (1902 年至 1915 年) 的贡献，建立了一个能够与其他国际剧院最好的芭蕾舞团竞争的芭蕾舞团，并赋予剧院以大量连贯而有价值的舞蹈编排，其中一些甚至在格拉离开匈牙利后仍然进行。它还旨在调查 20 世纪初编舞家的跨国职业，探索一系列舞蹈概念中思维方式的循环。调查探索了第一手资料，其中许多来自 Guerra 家族档案，还详细介绍了大师本人转录的符号，特别是芭蕾舞剧 Havasi Gyopár（雪绒花），